• STROKES classified in relation to space having a dual nature of being either real or unreal
  • stroke in a 1D Space having only length but no width or depth
    • linear strokes
      • vertically up line being height
      • horizontal line being breadth
      • vertically front line being the length
    • curve or cursive
  • stroke in a 2D space being an area or their combinations in 3D space
    • CROOKEDNESS, Curve, a-wry, hooked, bow, bend, wry, embow, winding, indirect, fetch a compass.
      • linear strokes in 2d space
        • open integrals , stroke in an INDEFINITE SPACE BEING AN OPEN SPACE and open ended
        • closed integrals , stroke in a DEFINITE SPACE BEING AN ENCLOSED SPACE
      • Curviplanar strokes
        • pin with a versatile lamin
          • Flag
      • curvilinear
        • pin with a versatile string
          • whip
  • compound figures formed by combining of solid figures or different kinds of 3d shapes
    • Sphere or Cube, with ‖ Cylinder: or with Cone.
      • BOTTLE, Button, Bolt-head.
      • PIN, headed.
    • Cylinder or Prism, with
      • Diverse Figures; whether ‖ Cube and Pyramid: or Cone and Pyramid.
        • PEDESTAL.
        • TURRET or Tent, Tower, Pinnacle.
      • Another of the same kind; either ‖ perpendicular: or transverse.
        • GUDGEON.
        • MALLET.
    • Cone with Cone; having ‖ Base to Base: or Vertex to Vertex
      • BUOY FIGURE.
      • HOUR-GLASS FIGURE.
    • Elliptic; representing the figure of a Sphere crushed, ‖ either about the midst by a Hoop: or at the ends by two opposite Plains.
      • OVAL, Elliptical.
      • BOWL.
    • Spirals: or Helixes.
      • BOTTOM, Clue, glomerate, wind about.
      • SKEIN, Hanke, Reel.

• LEVELS OF ABSTRACTION OR ORGANIZATION IN MIND
  • based on commonness or generality
• STROKES
  • FUNDAMENTAL DIFFERENCES
  • TRANSCENDENTAL DIFFERENCES IN NATURE OF STROKES
    • Dimensions and their notions
      • MENTAL DIMENSION
      • Spiritual Dimension
      • group
    • ARROW
    • Differences in strokes as observed or perceived or sensed
      • ABSOLUTE and Common differences. III.
      • differences relative to action considering THE END. IV.
      • differences relative to action considering THE MEANS. V.
    • MODES. VI.
      • subject
      • object
    • Qualitative differences
      • largely quality
      • strictly quality

Mind during abstraction disregards the difference between natural and Artificial because they both share the same structure or shape and there is no way for the mind to tell the difference between them.

• design , plan
• body
• Framework
• system